2003 Alto Moncayo
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I tend to drink Alto Moncayo during its first 5-6 years of life. Although I was sure they had aging potential, I did not realize just how much longevity these wines possess. They are generally full-bodied, powerful (with at least 15.5% natural alcohol), concentrated, rich wines made from very old vines and tiny yields. If you are not into flavor concentration or care about artisanal wines from great terroirs that have been ignored for centuries, this may not be the wine for you. Not one of these ten vintages was close to full maturity. The 2003 coming from Jorge Ordonez told me was probably the worst vintage in the area because of the appalling heat wave and stress the vines had to endure. This was a great opportunity to look at one of the flagship wines of importer Jorge Ordonez’s portfolio. Alto Moncayo is a 100% old vine Grenache cuvee (900-1,000 cases produced depending on the vintage) that is a joint project between Jorge Ordonez and Barossa winemaker, Chris Ringland. Five generations of vignerons have farmed over 210 acres of primarily old vine Grenache at Alto Moncayo, a wine that is produced from incredibly low yields of 500 grams of grape bunches per vine. There are never more than six to eight bunches on these ancient head-pruned Grenache vines. The wine is fermented in open-top wood fermenters, and spends 19 months in 100% new oak prior to being bottled unfiltered. The fruit is all destemmed. I tasted these ten vintages of Alto Moncayo in September, and I was blown away by how well they were showing. Importer: Jorge Ordonez Selections,Dedham, MA; tel. (781) 461-5767: email:corporate@jorgeordonez.com
Critic scores
Average Score
Robert Parker
Josh Raynolds
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(100% garnacha, from 35-to-92-year-old vines) Bright red. Powerful, oak-laced raspberry, strawberry and cherry preserves on the nose, plus a hint of candied licorice. Deep and sweet, the red berry flavors strongly accented by oak notes of coconut, vanilla and clove. Finishes sweet, deep and long. This is clearly made from strong material, but I'd love to have seen it without so much oak.