It’s a damp and foggy morning when I arrive once again in the very quiet streets of Auxey-Duresses for my annual pilgrimage to taste the new Maison Leroy Collection. Last year Madame Lalou Bize-Leroy was in Monaco, so I’m looking forward to seeing and tasting with her again – on what happens to be her daughter’s birthday. Two dogs rush out to greet me eagerly – the 13-year-old black poodle Nine and five-year-old Grand Basset Griffon Vendéen Olga, both quickly quietening down once appeased with some gentle pats. Madame, meanwhile, stands behind them, as elegant and unassuming as ever.   Talking briefly about the state of the market, she repeats how the most important thing is the happiness of our clients. It was at the forefront of her mind when she decided on the wines in this year’s collection, which is dominated by the 2017 and 2018 vintages, with the oldest wine from 2011. It’s good to mix things up, she tells me. After last year’s extensive library release with a flurry of back-vintages, this year she wanted to give the youngsters a chance to shine.  She describes 2018 as a more complete vintage, there is more wine, more matière than 2017; nonetheless 2017 is more refined and delicate, somehow more approachable. We talk about what makes a “grand vin” and she says: “La qualité, c’est les rendements.” (“Quality, it’s the yield.”) Taking Aligoté as an example, she explains that she’ll rarely make as much as 20hl/ha for the Domaine Leroy and Domaine d’Auvenay Aligoté – and for her that’s the limit for producing a high-quality wine. It is impossible to make a good Aligoté at 40hl/ha, she argues – and as she knows from tasting those watery, dilute wines. “I’d actually rather drink water,” she confesses. It’s no secret that her Aligoté is special: and Gilles Desprez (Bize-Leroy’s right-hand man) notes how he was once blown away by a bottle of 1999 D’Auvenay Aligoté served to him blind – a wine that those around the table all thought was a Grand Cru white.  There’s no better judge of a wine than blind tasting – as Bize-Leroy knows. To this day, she blind-tastes everything that makes its way into bottle under the Maison Leroy label. She was recently tasting some 2024s for the range and notes how it’s easy to find a great Nuits-Saint-Georges or Gevrey-Chambertin, but is too often disappointed with Vosne-Romanée and Chambolle-Musigny – struggling to uncover wines in these villages that are worthy of the Leroy seal of approval.  Our tasting begins with the reds this year, starting with an array of 2018s, sampled from south to north, “dans le sens de la Côte” (along the Côte), before moving through the 2017s to a 2016, 2015, 2012 and, finally, the oldest wine in this year’s collection, a 2011 Nuits-Saint-Georges.  The whites include an appellation that she rarely tastes and one that almost never makes it into the range: Savigny-lès-Beaune Blanc. The 2018 in this year’s collection, however, is special – a wine that you wouldn’t be a fool to call Corton-Charlemagne blind, she tells me. And (of course) Bize-Leroy is right: it is sumptuous, with a level of richness and density that far surpasses that of a mere “village”.  With air, it develops further, offering impressive complexity. Madame looks at Gilles: “It’s unfortunate we don’t have any Corton here to compare,” she says. Gilles confirms there isn’t any to hand while she considers the wine in front of her, before insisting – “Are you sure we don’t have any here?” The message is understood: Gilles says there may be some in another building and sets off to find it.   We keep chatting, tasting the 2018 Auxey-Duresses, a little shy after the 2018 Bourgogne Blanc (in her words: “the best Bourgogne Blanc we ever had”) and the superb Savigny. I ask if there are any wines she buys every year – an idea she’s fast to reject: she doesn’t have any contracts, each wine is selected purely on its quality in that specific vintage. I clarify that I meant if there were specific vineyards that she particularly likes, and finds herself buying year in, year out – and says that both Meursault Gouttes d’Or and Chassagne-Montrachet Morgeot are certainly favourites, although it all comes down to how they taste.   Gilles comes back with an unmarked bottle, immediately recognisable by its shape as Domaine Leroy. He is out of breath (earning some teasing, but also having run up and down 200 stairs to retrieve the bottle in question). The wine – a 2018 Corton-Charlemagne from the property – is quickly opened and served. It is typical Leroy: the nose is slightly muted, with some reduction and the popcorn-like notes that you often find in Bize-Leroy’s whites. On the palate, this is what you call packed: I have rarely found such concentration in a Corton-Charlemagne, even in ripe vintages chez Leroy. Madame states that she thinks many would call this a red if served totally blind, given its “matière”. “This is a grand vin,” she says. She explains how special the plot is, at the top of the hill, above her Corton Renardes: “C’est un terroir à rouge.” (“It’s a red terroir.”)   Going back to the Savigny-lès-Beaune Blanc seems like a pointless exercise after the Corton-Charlemagne – but is far from it. The Savigny has benefited from warming up and being open for an hour. In fact, it is far from ridiculous to compare it to its grander sibling. Indeed, Madame Bize-Leroy pauses over it, saying she finds the Savigny more balanced – the wine feeling beautifully layered, yet not heavy or dense. It is by far the best Savigny-lès-Beaune Blanc I have had the chance to try and – as proven by this comparison – would rival most Corton-Charlemagne. Of course, the 2018 Domaine Leroy Corton-Charlemagne is a baby – a wine built to age that will need years before being approachable and Bize-Leroy herself confirms that it won’t be released anytime soon. It has everything to be an exceptional wine in the future, but the Savigny is the one to drink now.  This is my 10th year at FINE+RARE and it’s relationships like this one that define our business: having the chance to share a moment with one of Burgundy’s legendary winemakers, talking openly and honestly about two of her wines, is truly special. Some are fast to dismiss Maison Leroy as “just” Bize-Leroy’s négociant label, perhaps out of ignorance or lack of exposure to the range. I can’t pretend these wines are cheap, but I also can’t pretend that Madame Leroy is like other winemakers. Her nose is remarkable, her access far-reaching, and the resulting wines one-of-a-kind. I can only admire this 93-year-old woman, the way she describes her wines, her humbleness, not to mention the wines that carry her name.  Tasting the 2025 Maison Leroy Collection 2018 Bourgogne Blanc: Maison Leroy’s 2018 Bourgogne Blanc is extremely expressive. Almost exuberant on the nose, it shows concentration, toasted almonds, juicy blood orange and verbena. The palate is equally impressive – and I would be easy to mistake this for a very good Meursault blind. Similarly to its red counterpart, the wine has gained in depth on the palate since we last tasted it. It is lively and expressive, yet with a signature fatness that’s so enjoyable. Madame Lalou Bize-Leroy tells me she has rarely, if ever, had a Bourgogne Blanc of this calibre – and we can only agree at this stage! Drink 2025-2031. 2018 Meursault: The 2018 Meursault from Maison Leroy is less immediately expressive than the Bourgogne Blanc, tasted just before – but don’t let that deceive you. You can feel the tension and seriousness of this wine, with hints of flinty minerality on the nose. The palate is concentrated and refined, nicely balanced and nuanced, with a creamy complexity. Compared to its Bourgogne sibling, this is clearly of a different calibre – a more aristocratic wine with greater density. Although approachable now, it will benefit from another three to five years in the cellar to express its full potential. Drink 2027-2035. 2018 Savigny-lès-Beaune Blanc: Maison Leroy’s 2018 Savigny-lès-Beaune Blanc is packed on the nose. Lovely brioche notes are underwritten by bruised apple and brighter citrus fruit, with delicate touches of lemon blossom. As the wine aerates, it keeps building in density, with layer upon layer – making for a wine that is beautifully fleshy and inviting. On the palate, the wine is so immediately rich and profound – it would be impossible to call this a village wine blind. It has the signature richness of a Corton-Charlemagne, perfectly balanced between power and tension. This is by far the best Savigny-lès-Beaune Blanc I have ever tasted and would be head and shoulders above most Corton-Charlemagne you can find on the market. This is drinking beautifully now but has everything to age effortlessly. Drink 2025-2040. 2018 Auxey-Duresses: Coming from a terroir that can sometime be a bit too flamboyant or invasive, Maison Leroy’s 2018 Auxey-Duresses feels very discreet after the Savigny-lès-Beaune. With notes of fresh almonds and a hint of reduction on the nose, this feels a bit muted. On the palate, the wine clearly has the concentration of the vintage, yet is quite elegant and restrained with a hint of white pepper. This is lovely but will need a few more years to be approachable. Drink 2028-2035. 2018 Bourgogne Rouge: Last tasted in February 2022, Leroy’s 2018 Bourgogne Rouge still displays a very charming, delicately perfumed nose that oscillates between dried rose petals and little red berries, but it seems to have gained in weight and density. It retains beautiful acidity balancing the concentration of the vintage, the finish is clean and vibrant. This is one of our favourite renditions of the cuvée in recent years, youthful and drinking beautifully now, this should keep evolving positively for another seven to 10 years. Drink 2025-2035. 2018 Monthélie: On the nose Maison Leroy’s 2018 Monthélie has beautiful notes of violets wrapped up in a mix of red and black berries, especially blackcurrant. Those very pure and delicate floral aromas carry through to the palate, accompanied by tannins that are very subtle, almost with a hint of sucrosity that makes one salivate. This is a very complete wine that outperforms in this warmer vintage: a wonderful expression of this terroir that, for me, displays the elegance of Volnay with a weightless mouth-feel. Drink 2027-2037. 2018 Volnay: Served just after the 2018 Monthélie, Maison Leroy’s 2018 Volnay has a slightly more discreet nose. It’s perfumed and all about finesse yet a bit shy at this stage. On the palate, there is good concentration and precision, but it does not provide the crunch and freshness that you’d expect at this stage. This is surely elegant and refined, but lacks that little twist that will surely come with a few more years in the cellar. Drink 2028-2040. 2018 Savigny-lès-Beaune: As with its white sibling, Maison Leroy’s 2018 Savigny-lès-Beaune could be mistaken for a Corton blind. It has such a concentrated, solar nose with a darker fruit profile. There’s density on the palate too, the wine fleshy and rich, but not heavy. It’s nicely balanced, with delicate tannin structure and a precise finish. It’s as juicy as it is approachable. Drink 2027-2037. 2017 Gevrey-Chambertin: This was one of the highlights of the 2022 Maison Leroy Collection when it was first released. The wine has retained all its depth, complexity and power, but has shut down a little bit. It is packed with dense dark cherries, hints of sweet spice and forest floor. On the palate the wine offers an enjoyable, mouth-coating, generous and balanced structure, yet the wine feels a bit muted compared to where it was three years ago. This is nonetheless offering a very long finish with fresher note lingering. This is surely a grand village Gevrey that will simply need to be forgotten in the cellar for a few years! Drink 2030-2040. 2017 Pommard: Maison Leroy’s 2017 Pommard speaks of its terroir, combining rich, brooding, ripe blackberry, with hints of blackcurrant and a touch of rusticity, lifted by the freshness and precision of the vintage. On the palate, it has a firm but delicate structure with chewy tannins that are both muscular and velvety. Tasted right after a flight of 2018s, this seems much more approachable (as is often the case with 2017s). The refreshing backbone of acidity drives through the core of the wine, lending a beautiful sappiness to the long finish. Drink 2025-2035. 2016 Santenay, Premier Cru, La Comme: Immediately expressive, Maison Leroy’s 2016 Santenay Premier Cru La Comme comes from this underrated terroir, on the southern border of Chassagne-Montrachet. The charming, multifaceted nose oscillates between raspberry and juicy cherry with a hint of liquorice. The wine is mouth-coating; you can feel the substance here, with a lovely texture that remains delicate and refined. This clearly shows the concentration of the vintage and its tiny yields, but it is all wrapped in a very elegant mouth-feel – creating a wine of great balance. It’s in such a lovely spot now that this is hard to spit out! Drink 2025-2035. 2015 Chorey-lès-Beaune: Packed on the nose, Maison Leroy’s 2015 Chorey-lès-Beaune is quite shy at first, but with a bit of swirling you start to notice how dense and saturated this wine is, with aromas of ripe blueberries, blackberries and a hint of spice (cinnamon maybe?). On the palate, it is concentrated with mouth-coating tannins and layers of berry fruit – raspberry, strawberry and blueberry. This has a lot to say and offer, with an impressively persistent finish, but will benefit from a few more years’ cellaring to reveal its full potential. Drink 2028-2040. 2012 Côte de Nuits Villages: Made with fruit from around Nuits-Saint-Georges and Corgoloin, Leroy’s 2012 Côte de Nuits Villages is always a bit backward on the nose and slightly austere. But it’s also elegant and delicate, the floral notes combining with tertiary notes. On the palate, this feels like it is in a slightly awkward phase, very dense with soft, integrated tannins yet somehow disjointed between the rich dark fruit and a tertiary character. I would leave this for a few more years before revisiting. Drink 2030-2040. 2011 Nuits-Saint-Georges: Finely perfumed, Leroy’s 2011 Nuits-Saint-Georges offers a delicate nose of mixed red berries supported by more earthy notes, some pot-pourri and a hint of spice. On the palate, it’s concentrated and charming, but with air opens further and shows its density, still youthful for a 14-year-old village wine. There’s a hint of rusticity towards the finish that makes one salivate. This is far from the austere expectation one may have for this combination of vintage and appellation. It’s not reached its drinking plateau but is perfectly approachable now. Drink 2025-2040. The new Maison Leroy collection will be released soon: you can see all the wines in the 2025 collection here. Please contact your Account Manager to register interest. 

Each year, our Buying + Partner Director Corentin Margier visits Maison Leroy in Auxey-Duresses to sample the new releases. Here, he reports on his tasting with “Lalou”, the legendary matriarch of the Leroy empire  

Ahead of the release of the 2025 Maison Leroy Collection, we visit Lalou Bize-Leroy to taste with the legendary matriarch and winemaker 

Lalou Bize-Leroy: a living legend – Burgundy’s matriarch 

Lalou Bize-Leroy: a living legend 

It’s four centuries since the Giraud-Hémart family first began farming vines in Aÿ, writing the first chapters of an extraordinary legacy.   Although they started out as tenant farmers, the Church granted them a swathe of land in the 17th century – with François Hémart the first member of the family to be registered in the parish records. The modern history of the family, however, starts in the 20th century, when a soldier by the name of Léon Giraud was garrisoned in Aÿ and fell in love with Madeleine Hémart. The couple soon married and had a son, Henri Giraud, moving into the property that the family still lives in today.  At the time, vineyards across the region had been abandoned in the wake of phylloxera and Léon set about replanting three hectares of vines. For 300 years the family had been growing grapes and selling the fruit, but after Henri returned from the Second World War, he and his father decided to start making their own wine – establishing the Giraud-Hémart label. The business grew and evolved, especially after Claude Giraud (Henri’s second son) arrived in 1972, aged just 20. Working with his father over the 1970s and ’80s they rejigged the vineyard holdings and acquired additional holdings to make up the 10 hectares they own today, as well as changing the property’s name to Champagne Henri Giraud.   In 1990, they started buying in additional fruit to meet demand and made their first vintage of Fût de Chêne – the wine that became Argonne from the 2002 vintage. Although in the 1990s the family was ageing wine in oak, it is only in the 21st century that they started working exclusively with oak from the Argonne forest – now integral to the House’s identity.  The Argonne forest was historically the source for much of the wood used in Champagne, home to over 150 coopers, but was gradually abandoned, suffering from particular damage during the Second World War. Henri Giraud has made it a mission to restore and protect the forest, working with the French National Forest Office (ONF) on a replanting program (and have planted over 60,000 trees to date). The House feels Argonne oak is a key part of their terroir – indeed their top wine takes its name from the forest. The poor, dry soils of the forest mean oak trees grow particularly slowly, resulting in a particularly tight grain, creating a delicately flavoured wood to complement the delicate wines of Aÿ.  Today, the business remains a tightly knit family affair – with the 13th generation running the show. Emmanuelle Giraud is at the helm of the House, having taken over from her father Claude, who while not officially part of the business remains present and involved in key decisions. Emmanuelle’s sister Anne le Golvet-Giraud was drawn to therapeutic practices, launching the property’s trademark Craÿotherapy – chalk-based wellness program offered at their in-house hotel (they were one of the region’s first producers to welcome visitors for tastings and now to stay). It is Anne’s husband, Sébastien le Golvet, who is in charge of the winemaking.  “It’s very important to always be curious, to seek something better from the wine, from the grapes,” Giraud tells us. No one embodies this philosophy at Giraud more than Le Golvet, a force who, since he arrived in 2002, has pushed to experiment and innovate both in the vineyards and winery. Over the last two decades, he’s introduced residue-testing on their soils to confirm their triple-zero approach (zero pesticide, insecticide or fungal control spraying – something they feel is more impactful than organic certification and have long pioneered), banished stainless steel from the winery (using only terracotta and wood) and toasts every barrel the House uses himself. Constantly looking for new ways to elevate the wines further, he has recently created and started using custom barrels with sandstone heads. As Emmanuelle tells us, his philosophy is firmly that, “The best wine will be the next one.”  Henri Giraud manages to balance being at the cutting edge with the patience that traditional-method sparkling wine requires. As Emmanuelle explains, they have to make sure everything is perfect from the moment the grapes are harvested – for any mistakes will be discovered in a decade’s time. While she’s concerned with broader strategy and planning for the business, when it comes to harvest-time, you’ll find her on the winery floor, managing fruit receival, each and every year, seeing the culmination of the year’s work.  Being independent and family-owned allows them the luxury of a truly long-term vision. Each vintage they make trials, the results of which will only be revealed in 10 years’ time, but they’re investing far beyond that – planting 12,000 trees in the Argonne forest each year, making sure that Henri Giraud will still be able to use this special oak in two centuries’ time. The House’s extraordinary wines reflect this vision, testament to their relentless pursuit of quality and remarkable attention to detail. Who knows what the next 400 years will bring – but it will certainly be worth following.  Explore all current Champagne Henri Giraud listings, including the amazing MV10, disgorged in 2017, or read more about Champagne and sparkling wine  

The Giraud-Hémart family has grown vines in Aÿ for 13 generations – starting to make wine under their name in the 1950s. Today Champagne Henri Giraud is one of the region’s smallest houses – and one of the few to remain family-owned. Here, we dive into the property’s heritage with Emmanuelle Giraud 

The Giraud-Hemart family has been growing vines since 1625. Today the family’s descendants run Champagne Henri Giraud – we dive into their legacy and wines 

Celebrating 400 years of Champagne Henri Giraud 

Four centuries of Champagne Henri Giraud 

Sitting plum in the middle of the Côte d’Or, the hill of Corton is hard to miss. Its wines, especially the whites, however, are all too often overlooked. We sat down with some of the region’s leading producers to explore the pedigree and potential of this site and its powerful, long-lasting wines

Discover the pedigree and potential of the hill of Corton’s whites – the fine Chardonnay from Corton-Charlemagne, Charlemagne and Corton Blanc 

Exploring Corton-Charlemagne, Charlemagne and Corton Blanc 

Corton-Charlemagne: the Grand Cru of the future?  

Long ago, we wrenched grapevines from their natural habitat. Enthusiastic creepers, their shoots and tendrils are designed to cling onto whatever they can as they grow; winding themselves around trees or other plants in the wild. But we dragged vines out of the forest and forced them into rigid trellises, taming their wayward growth to produce a crop that served our purpose. Now, however, there’s a movement to re-integrate trees and plants into viticulture.  Cheval Blanc is one of the most famous proponents of agroforestry, which is a key part of its manifesto on a modern approach to viticulture. Augustin Fromageot – who now works full time at Anjou’s Domaine Belargus – was one of the team involved in the project, planting over 4,000 trees at the estate in two years. Until then, Fromageot – a trained geologist – had been working in South America, largely in cocoa and coffee, but the vine was calling. The team converted the estate into a laboratory of sorts – experimenting with different ways to integrate trees, within rows, replacing rows, in copses and borders or any other way you can imagine planting them alongside vines, all set to be followed in scientific programmes to track what works and what doesn’t. Now he’s doing a similar thing at Belargus, managing their extensive nature reserve and working to increase biodiversity on the estate – working to manage the landscape, as he sees it.  It’s an oversimplification to suggest that vines have gone directly from wild creepers to industrialised monocultures. Historically, farming was poly-cultural, a smallholding contained everything a family needed – and vines often formed part of that. Pergola trellising, for example, allowed for other crops to be planted beneath, while trees being used as a living trellis was not uncommon – often referenced as married vines, the Roman method of arbusta (favoured by Pliny, for example) – and grown alongside each other, culture en hautain, cultura mista or joualle. It’s this latter method, favoured in southwest France a century or so ago, that Cheval Blanc has in part been trialling, with individual trees replacing vines within a row. It looks beautiful, however brings its own complications, limiting mechanisation. It is, as Fromageot, says, a “poetic” way to integrate trees. You’ll still find vines trained up trees in Bolivia, in the Cinti Valley (as for the Jardín Oculto project), although these are ancient examples – and few would plant vines like this today. It’s an impractical way to farm, at the end of the day, one that only worked on a very small scale, but it’s clear that industrialisation has pushed monocultures too far – and agroforestry is one way in which producers are trying to fix the damage done.  Trees are remarkable in many ways, but they can have a huge impact on a vineyard. Their physical presence can influence the microclimate – protecting a vineyard from frost, heat and wind, as well as acting as a physical barrier between neighbouring properties – preventing any unwanted sprays drifting into your vines. They increase biodiversity – providing a habitat for insects and animals, in particular bats, and they absorb carbon dioxide. They reduce soil erosion (with topsoil erosion a major threat to agriculture worldwide) and increase organic matter, which in turn increases soil’s water-holding capacity – a major plus in dry regions. For Fromageot, trees help to create a resilience in the vineyard, reinforcing the vines’ natural defences, and therefore reducing the number of treatments required.   It’s easy to look at such a list and understand the principles at play. Clearly there are benefits for the environment – but what does it mean for the wine in your glass? Well, a lot, potentially. As few as five trees will influence the microclimate in a 100-metre radius; they can reduce the temperature in a parcel by as much as 2-3°C, preserving acidity, lowering alcohol and retaining precision in the aromatics. And, shielding a vineyard from extreme frost or heat, as well as providing better water reserves in the soils, allows for a more consistent yield, all of which is beneficial with climate change – with both more extreme weather conditions and global warming.  Of course, it’s not quite as simple as it sounds. “It teaches us an immense humility,” Fromageot tells me, as I start asking him about the world of agroforestry, and more specifically vitiforestry. He’s more than aware that agroforestry has become a buzzword in wine – it's suddenly very trendy. But there’s a lot of work involved in planting and managing trees. For starters, deciding where and how to plant trees is key. Their ability to influence microclimate can be both good and bad – with the potential to create frost pockets, to increase humidity, reduce airflow and therefore disease pressure. “You need to read the landscape,” Fromageot explains.  You also have to decide what sort of tree to plant, as well as the rootstock, ensuring it will complement viticulture. The first thing Fromageot does when taking on a project is look at all the local nurseries to understand the native varieties. Fruit trees are common, but as he notes, you need to ensure it has a different harvest time to grapes to avoid any conflict – he looks to apples, pears and prunes, in particular, highlighting how challenging peaches and apricots can be. Otherwise, the likes of maple, ash, mulberry, black poplar, hornbeam and linden can all work – essentially trees that share the same type of mycorrhizae (the microorganisms that attach to roots) as vines. You want to avoid anything that might taint your wine, or anything that will inhibit growth – such as walnut trees, which produce a toxic compound, juglone.  Trees have significantly different requirements to vines, needing different equipment and expertise to thrive, with – for example – extensive fertilisation to establish trees, which need richer soils. Trees will – wherever they are planted – occupy space that could otherwise be used for vines, yielding additional crop. And it’s a slow process, with it taking around a decade for trees to start influencing viticulture in a meaningful way, says Fromageot. All of this costs time and money – making agroforestry a luxury that not all producers can afford, although Fromageot feels that trees can be integrated in a different way for producers working at scale.  Alain Canet – an agronomist and specialist in agroforestry – argues that re-introducing trees is crucial for agriculture. “For some soils it is already too late,” he writes. “But for most, we have time to act... In agroecological terms, the transition to trees is the transition to life.”  There are many scientific reasons to favour vitiforestry, but for Fromageot there is a more compelling reason: the landscape fixes people to a geography, to a place, and that – he argues – is essential for making fine wine. Beauty in the landscape you live and work in helps us “find sense in life”, he tells me. Romantic? Maybe. But with the science to back it up, it’s hard not to be persuaded that trees line the way to a more sustainable future – in wine, yes, but in wider agriculture too. 

Agroforestry is the latest trend to take over the world of fine wine – but why? We sat down with Domaine Belargus’s Augustin Fromageot to find out why trees might just be the key to sustainable viticulture 

Agroforestry is the latest trend to take over the world of fine wine – but why? We sat down with Domaine Belargus’s Augustin Fromageot to find out more

Trees and wine: exploring the world of vitiforestry

Putting down roots: the world of vitiforestry 

Bordeaux is incredibly varied – with hugely different styles of wine produced across its appellations. Here, we run through everything you really need to know about each of the main subregions – and the best estates in each  

Explore Bordeaux, subregions, their wines and top estates – in Saint-Estephe, Pauillac, Saint-Julien, Margaux, Graves, Pessac-Leognan, Pomerol, Saint-Emilion 

Your guide to Bordeaux’s subregions, wines and top producers

Your guide to Bordeaux’s subregions   

No matter how many times you visit, a trip to Maison Leroy never loses its allure. Driving through the quiet streets of Auxey-Duresses, following the soft, chalky blue signs for Leroy that point the way, is always incongruous with the fame of this address. As we’ve written before, you won’t find the grandeur you’d expect from such an illustrious producer – Lalou Bize-Leroy, and her entire team, embodies a rare charm and down-to-earth character that you don’t expect.  I was there to taste the new collection – an occasion which is always remarkable, winding your way through an array of vintages and cuvées of both colours. Bize-Leroy only releases her négociant wines when she feels they are ready to drink, meaning the collection often includes both recent vintages and older wines stretching back 40 or even 50 years. No matter the age, each one has been selected by “Madame” herself, the matriarch with one of Burgundy’s best noses.  This year’s collection is notable for its youth – in all the right ways. Recent collections have included venerable bottles drawn from the property’s extensive cellars – offering a rare chance to taste flawlessly aged fine Burgundy, direct from the producer. This year’s line-up – of course – includes special vintages that will set cellar-hunters’ hearts aflutter, stunning Chardonnay from 1985 and ’79, as well as two reds from 1972, Vosne-Romanée Premier Cru Les Petits Monts and Echezeaux Grand Cru, which Gilles Desprez (Bize-Leroy’s right-hand man) highlighted as some of his personal stand-outs, showing amazing refinement and delicacy, despite their age.  Beyond these historied bottlings, however, you’ll find a selection of wines from the best recent vintages. For the reds, 2018 offers a rich and generous profile, approachable now yet with the depth of fruit to age; 2017 is a vintage of the moment, fully of juicy charm and bright acidity that is irresistible; while there are elegant 2015s and a concentrated 2016.  As for the whites, the 2018s are soft, round and welcoming Chardonnays that nevertheless have everything needed to age, while the thrilling, taut 2014s are just edging into their long drinking window. A similar year, 2010, with high acidity and beautiful balance shines in the line-up – and the vintage is among my favourites for whites.   Desprez notes what a pleasure it is to show these wines, offering a slightly different side to Burgundy for them. Of course, it’s perhaps reflective of current tastes – with a larger range of whites full of vibrant fruit and flinty minerality. For a man fortunate enough to taste more than his fair share of aged Burgundy, these wines are refreshing. While each release is ready for you to pull the cork on, these more youthful releases can also be aged (an excellent excuse to purchase more than one case, if you can, in our view). The line-up this year is really exciting, offering a real range of wines to appeal to all sorts of fine Burgundy drinkers.   We won’t pretend that wines of this level come cheap, but a visit to taste at Maison Leroy reinforces exactly why their name commands such demand. These wines provide a masterclass in fine Burgundy – each one so reflective of its terroir and vintage, archetypal expressions of Burgundian Chardonnay and Pinot Noir. Take the 1979 Puligny-Montrachet Premier Cru Pucelles in this year’s collection, one of the handful of carefully chosen mature wines that feature. Tasting it in the morning, the nose was gorgeously expressive – pristine and mesmerising, yet took a full hour to open up on the palate. Tasting it later in the day, it was still gorgeous – exactly what aged Chardonnay should be – showing how good white Burgundy can be, and a bottle that I won’t be forgetting any time soon.  Highlights from the 2024 Maison Leroy collection 2017 Bourgogne Rouge, Maison Leroy: Offering all the freshness and juiciness that one can find in 2017 red Burgundies at present, this Bourgogne Rouge offers everything you’d want from regional Pinot Noir. It’s very expressive and youthful on the nose, driven by red berries and sour cherries. The palate is lively and offers immediate pleasure, with a nice, savoury, peppery finish that makes it dangerously enjoyable now. Lovely now, this should drink nicely for the next five to seven years. 1999 Bourgogne Rouge, Maison Leroy: It’s been a few years since we last had a chance to taste Maison Leroy’s 1999 Bourgogne Rouge, and it was very interesting to compare this cuvée with the Hommage à l’An 2000 that was re-released last year. By comparison, the 1999 feels like it is still in its teen-years, with a powerful and concentrated profile compared to its millennial cousin. On the nose, it takes a few minutes to open up, but it is understated, elegant Pinot showing some evolution, with wild berries paired with dried petals. On the palate, it is at first interestingly youthful, led by dark fruit. The tannins are powerful, and the concentration impressive. This is drinking beautifully now and should enter its prime drinking window in two to three years. A fantastic showing for a regional appellation! 2018 Chorey-lès-Beaune, Maison Leroy: The 2018 Chorey-lès-Beaune is very perfumed, exuberant with florals and redcurrants. Always livelier and more fruit-forward than Monthélie (especially in warmer vintages), this often-overlooked terroir offers a beautiful level of complexity. On the palate, crunchy red berry fruit and juicy tannins lead on to a beautiful saltiness towards the finish. Its acidity and freshness beautifully balance the richness of the vintage. This is lovely to drink now and should evolve nicely for the next five to seven years. 2016 Santenay, Maison Leroy: Deep purple in colour, the 2016 Santenay is beautifully restrained when compared to its 2017 and 2018 siblings in this line-up. The discreet nose is lovely, driven by red fruit. The tannins are silky, coating the mouth pleasingly. There’s almost a creaminess to the mid-palate. Concentrated and with superb density, this is drinking well now but will benefit from another few years’ cellaring to show its full potential, it should then evolve beautifully for another eight to 10 years given its concentration. 2015 Côte de Nuits Villages, Maison Leroy: Made with fruit from around Nuits-Saint-Georges and Corgoloin, this offers a more austere nose – but it’s a very elegant and subtle Pinot. On the palate, it’s beautifully concentrated, with polished tannins. It starts with rich dark fruit, and there’s lovely acidity on the mid-palate that leads to a long, savoury finish. This is beautifully approachable now and will age nicely for another seven to 10 years. 2015 Gevrey-Chambertin, Maison Leroy: Tasted just after its Côte de Nuits Villages cousin, the 2015 Gevrey-Chambertin offers a beautifully layered nose, aromatic yet serious. Its palate mirrors the profound nose, dense and concentrated with layer after layer of complexity – much more than one would expect for a village wine. Dark fruit evolves into more earthy and spicy notes, finishing on an almost floral finish. This is so subtle and delicate, a brilliant showing for a wine that can be drunk now but would be even more impressive after three to five extra years in the cellar. 2018 Bourgogne Blanc, Maison Leroy: This is aromatic and very expressive on the nose. The palate offers creamy lactic notes, and it’s got a beautiful texture and depth. It shows the ripness of the warm vintage, yet this is complemented by a backbone of minerality – balancing the rich weight of orchard fruit. Profound and lovely for a mere Bourgogne Blanc. 1998 Bourgogne Blanc, Maison Leroy: On the nose this is driven by citrus fruit. There is the slightest hint of pleasing oxidative tones, with richer fruit, yet not overly so – with the wine in pristine condition. It shows beautiful evolution on the palate, with honeysuckle notes and more exotic fruit – yet acidity that avoids risking any overly ripe or jammy character. A very delicate wine, this food to complement its evolved complexity. Drink in the next three years. 2019 Saint-Aubin, Maison Leroy: This is so fresh on the nose – full of white flowers and juicy white peach, it’s mineral, lovely and expressive. On the palate, however, there’s unexpected density and texture. This is super concentrated and youthful, yet also very enjoyable now – and one of those wines that will keep showing different facets with air, and long after you’ve swallowed a mouthful. This will need time to show its full potential, but is already glorious. 2019 Auxey-Duresses, Maison Leroy: This was our favourite in the line-up of 2019 and 2018s this year. Auxey-Duresses is a village that is often overlooked but that Madame Lalou Bize-Leroy masters. The nose is multilayered, showing riper notes than the Saint-Aubin, but more acidity too, and with a mouthcoating texture that almost feels weightier than the Meursault. This is very 2019, in the sense that it combines great richness and freshness. This is lovely and long, with a finish marked by creamy, lactic notes. Drink it now and over the next five to seven years. 2018 Meursault, Maison Leroy: This offers a dense nose packed with layers of complexity, yet it’s also very subtle and discreet. This will need a bit of time to fully show its character, as the layers peel back in bottle. With aeration, the wine unfurls with richer, riper stone-fruit notes. On the palate, there are hints of creamy, brioche-like notes, along with real density of fruit on the mid-palate – a rich and weighty wine. There’s a lovely long finish. If you can, give it another five to seven years in the cellar, as the wine is so tightly packed and concentrated that you may miss out (although it’s hard to resist now!). 2014 Chassagne-Montrachet, Premier Cru, Les Chenevottes, Maison Leroy: This is very expressive and fragrant on the nose. Still fresh and intense on both the nose and palate, this lively wine speaks of this brilliant white Burgundy vintage – and is only just entering its drinking window. It offers such a complete set of aromas from the rich, ripe notes of fresh fruit to more herbal, citrus notes, all driven by brilliant acidity and a hint of bitterness. Lovely – and one of our favourite whites in the collection this year. 2010 Chassagne-Montrachet, Premier Cru, Morgeot, Maison Leroy: This Morgeot has such a lovely nose, offering a mix of sweet apple and honey-flavoured candies. It is concentrated and powerful on the nose, mature yet still has a lot to say. On the palate, the acidity is striking from the moment the wine touches your tongue. It opens with fresh, mineral, crystalline notes, but this is immediately followed by a wave of ripe yellow fruit, and then some sweet spice which lifts the wine on towards its persistent finish. This is beautiful now and should stay in this zone for another five to seven years. 1979 Puligny-Montrachet, Premier Cru, Les Pucelles, Maison Leroy: With a beautiful golden colour, this is so impressive on the nose, with so much going on: honey, beeswax, frangipane, creamy and lactic notes, candied orange peel, crystallised fruit, it just keeps delivering on the nose. The palate seems a bit muted by comparison, when tasted just after opening – but after an hour or so you’ll find the same level of density and richness here too. All those aromas mingle together and melt into each other, yet there is a sense of harmony, with beautiful acidity throughout. The wine feels like there are so many layers and strands to it, but it is also so complete. Towards the finish, there is a certain salinity that drives the length of the wine, alongside those honeysuckle notes. A real delight that is approaching its prime though still has a lot to say! Drink now through to 2035. The 2024 Maison Leroy collection will be released soon, sign up to find out more, or read more about Maison Leroy and browse all current listings 

Ahead of the annual release from the fabled Maison Leroy, Buying + Partner Director Corentin Margier reports on his pilgrimage to this iconic address in Auxey-Duresses

Tasting the wines in the 2024 Maison Leroy collection – the latest releases from Lalou Bize-Leroy (of Domaine Leroy and Domaine d’Auvenay)

Tasting the 2024 Maison Leroy collection

A masterclass in fine Burgundy: Maison Leroy

Honeysuckle, peach, jasmine. Ripe, perfumed and exotic, viscous and heady – but, at its best, with a mineral, saline line and phenolic grip that keeps its hedonism in check. Condrieu is a wine like no other – and one that couldn’t be much less fashionable if it tried.  And yet, its top bottlings are incredibly hard to find. The likes of Georges Vernay’s Coteau de Vernon or Guigal’s La Doriane fly out on release. Chapoutier’s Coteau de Chery is absorbed effortlessly by France’s finest restaurant wine lists. The iconic Château-Grillet has almost vanished from the world of retail since it was taken over by Artémis. Production might be limited – but it’s also clear that there’s more than enough demand for these very special wines from the Northern Rhône.  The appellation and its unique expression of the Viognier grape has a rocky history. The Romans were the first to cultivate vines in this corner of the Rhône Valley – and they’ve been there ever since. By the 17th century, the wines from the steep slopes around the village of Condrieu were renowned throughout France. In 1853, there were 143 hectares of vines in the region – but then plague and pest arrived: powdery mildew swept through the vines, swiftly followed by phylloxera, decimating vineyards across Europe. With two World Wars, as well as the industrialisation of the valley, the workforce fled the vines for more stable, salaried factory work: looking up at the back-breaking angle of its slopes, entirely unmechanisable, it’s easy to see why the region’s vineyards were almost entirely abandoned. When the Condrieu Appellation d’Origine Contrôlée (AOC) was created in 1940 (encompassing the villages of Condrieu, Vérin and Saint-Michel-sur-Rhône), just six hectares of vines remained.  Only eight of the potential 170 hectares were planted in the 1960s and Condrieu’s future looked uncertain. But one vigneron was quietly working to change that.  Georges Vernay – whose father Francis Vernay had helped create the appellation after planting his family’s first vines on the Coteau de Vernon in 1937 – believed in the alchemy between Condrieu’s biotite granite slopes and the Viognier grape. At the time, the region was best-known for its stone-fruit – with a kilo of peaches worth significantly more than a kilo of grapes. (The area is still known for its fruit today, Jean-Marc Roulot sources the apricots for his eau de vie and liqueur from the Rhône.) When Georges Vernay uprooted orchards to plant Viognier, people called him a fool.  “No one believed in Condrieu anymore, or in Viognier anymore,” Philippe Guigal – the winemaker and third-generation at the helm of his family’s company – tells me. Philippe’s father Marcel was another pioneer of the region, persisting in making fine wine from the region’s uneconomically steep terraces.  Vernay kept his faith too – championing Condrieu, but also Viognier. Almost all the Viognier in the world was planted in Condrieu at the time, and Vernay supplied cuttings to those outside the region – encouraging others to plant this distinctive grape. At the same time, he championed the region with his age-worthy wines, especially the now-iconic Coteau de Vernon.  By 1986 there were still only 19 hectares of Condrieu planted, but Vernay’s battle started paying off – wine-lovers fell for Condrieu’s rich, textural whites and plantings rocketed. There were 38 hectares of vines by 1992 and 217 by 2024. But it wasn’t just in the Rhône that Viognier finally found its footing – plantings appeared in the Ardèche, the Languedoc, Australia, California (especially with the wave of Rhône Rangers, led by Randall Grahm) and beyond. Viognier’s lustre had been restored.  Although now much more widely planted, it’s only in Condrieu that Viognier reaches such heights. Here, on steep terraced slopes in this hallowed corner of the Rhône, the vines sit almost directly on the granite bedrock – a specific type of granite laced with biotite, an iron-rich black mica. It’s this biotite granite that defined the original Condrieu appellation created in 1940 – encompassing vineyards around the villages of Condrieu, Vérin and Saint-Michel-sur-Rhône. The monopole appellation Château-Grillet (sadly unable to comment for this feature) sits within Condrieu, classified four years prior, and sharing the same biotite granite. The iron in the soils is key, lending much-needed tension to the potentially flabby Viognier.  Finding – and keeping – that tension is key to the best Condrieu. And it isn’t about acidity per se, but a sense of freshness.   For Emma Amsellem – who works alongside her mother Christine Vernay at Domaine Georges Vernay, “It’s a combination of different things.” She attributes much to their farming (which is both organic and biodynamic), as well as working with old vines and low yields (normally around 27-30hl/ha). Maxime Chapoutier – who works alongside his larger-than-life father Michel Chapoutier at the eponymous empire – echoes how important vine age is for Viognier, much more so than Syrah or Marsanne, he says. He finds Viognier starts to produce fruit of significantly more complexity at 20-30 years of age, but the vines can also lose interest if they’re too old.   “The beauty of the balance of Viognier comes from its dry extract – from its bitterness,” he explained. It is, Chapoutier says, the hardest grape to pick – harvest too early and you won’t have the necessary dry extract, but harvest too late and the aromatics are too much. Ansellem also emphasised the importance of picking date: although you want to retain as much natural acidity as possible, you also need Viognier to be sufficiently ripe – and the window is getting smaller and smaller with climate change.  The challenge, as Philippe Guigal puts it, is to keep the richness, the full expression of Viognier, as well as its drinkability and salinity. He introduced a Champenois-style cycle, very long and slow, for their Condrieu – something that helps bring out the grape’s aromatics and structure, a concept echoed by both Ansellem and Chapoutier, working with Viognier’s natural thick skins. Chapoutier also highlighted the importance of oxygenising the must and then racking as little as possible, retaining the lees to help build on the grape’s “noble bitterness”.  Guigal is also particularly careful with fermentation temperatures, feeling it is key to keep ferments under 12°C to avoid any potentially heavy aromas.  It's that dry extract that allows top Condrieu to age so beautifully too. Chapoutier explains how he likes to wait at least five years before opening their Coteau de Chery, but it can age for 25, developing more layers of complexity – with notes of honey, lanolin, gingerbread and dried citrus peel. “A great Condrieu is a wine that doesn’t taste of Viognier,” he says.  Tasting through a flight of the region’s top wines last week was fascinating – from Chapoutier’s remarkably fresh, floral Coteau de Chery to the decadent yet mineral Coteau de Vernon from Georges Vernay. More than anything was perhaps seeing the response from those tasting – the wines far surpassing their stereotypical expectations. Not all the haters left lovers, but they certainly had a newfound respect for the style; and those that were already fans fell even harder for its charms.  There’s next to no room for further plantings in Condrieu, largely thanks to Georges Vernay’s efforts championing the region, and quality in the appellation is higher than ever before. The style of its heady wines will always be divisive – and perhaps that’s a good thing given how limited production of the best wines is. Its cool credentials may not quite have caught up yet, but it’s time to open up to the region’s opulent embrace – you won’t regret it.  Top Condrieu cuvées to look out for  Chapoutier’s Coteau de Chery: From a single parcel of vines between 40 and 80 years in age, this is aged entirely in old oak (larger, 600-litre casks). Production is tiny (often only two barrels) and goes almost exclusively to restaurants in France.  Georges Vernay’s Coteau de Vernon: This is just a stone’s throw (100m or so) from Vernay’s other single-vineyard, Les Chaillés de l’Enfer (literally meaning the terraces of hell, for its steep south-facing slopes). From the region’s most famous pioneer, the vines were planted in the 1930s and 1960s, in a natural amphitheatre, producing a profound expression of Viognier that ages beautifully.  Guigal’s La Doriane: Guigal’s top Condrieu is a blend of their top five parcels across the appellation, averaging 35 years in age, matured in 100% new oak – which is seamlessly integrated with the concentrated and powerful fruit.  Château-Grillet: The tiny monopole appellation covers 3.5 hectares of vines. Owned by the Artémis group (owners of Ch. Latour) since 2011, its wines are some of the most sought-after in the world, largely disappearing into wine lists.  Yves Gangloff’s Condrieu: Renowned for its voluptuous style, in all the best ways, this bottling from this famous winemaker is rightfully prized.  André Perret’s Chéry: Known also for their Clos Chanson cuvée, Chéry also comes from the Coteau de Chery, from a three-hectare plot of 70-year-old vines.  Ogier’s Les Vieilles Vignes de Jacques Vernay: Only 125 cases are made of this wine per year, making it incredibly hard to find.  Marie & Pierre Benetière’s Condrieu: Possibly even harder to find than their astounding Côte-Rôties, Pierre was inspired by and studied under Vernay before making his own wines.   Explore all current listings of Condrieu or read more Editorial 

The epitome of Viognier, Condrieu makes some of the world’s most remarkable wines – yet this appellation in the Northern Rhône came close to disappearing. Sophie Thorpe dives into its brush with fate and how producers manage Viognier’s natural hedonism to create wines that stand the test of time 

Condrieu’s wines are better than ever. We talk to Georges Vernay, Guigal and Chapoutier about the appellation’s comeback 

Condrieu’s comeback with Vernay, Guigal and Chapoutier 

Condrieu’s comeback 

Lalou Bize-Leroy is one of the wine industry’s legends – but you wouldn’t know it meeting her. 
The slim 90-year-old flings open the door of her Auxey-Duresses estate to greet me open-armed, her two dogs running out to say hello as she gushes over the flowers I’ve brought her. Just as we commented after our visit last year, despite making some of the region’s finest (and most sought-after) wines, there is nothing grandiose about Leroy – here you are treated like family. 
The reason for my visit, of course, is to taste the 2023 collection from Bize-Leroy’s négociant arm, Maison Leroy. This label is the most affordable entry-point and window into Leroy’s empire – with the rare wines of Domaine Leroy and Domaine d’Auvenay almost impossible to get your hands on. 
Although the Leroy family has owned vines for centuries, the family’s reputation was built on its négociant bottlings – with the operation dating back to 1868, when it was established by François Leroy (Lalou Bize-Leroy’s great-grandfather). While Bize-Leroy’s father Henri focused on Domaine de la Romanée-Conti (purchasing a 50% stake in 1942), Bize-Leroy joined the family business in 1955 and developed the négociant. It is only under her tenure that the company really flourished and became known for offering the very best of the best. Over almost 70 years, she has built and shaped both the Leroy reputation, and that of Burgundy as a whole. 
The négociant project is a massive undertaking, with Bize-Leroy tasting hundreds of wines blind each year en primeur. She will know the appellation but not the grower/producer, and picks only the very best to be bottled under her family name, looking for the most typical examples, with the most beautiful definition. She is known for her incredible palate and, given her position in the region, has unrivalled access to the very best vineyards – the combination makes for négociant wines of unusual pedigree. 
The wines are then matured in the Leroy cellars, released to the world only when she deems them ready. It’s particularly important to Bize-Leroy that the wines are sold only when ready to drink – feeling that far too many wines today are consumed too young, wastefully consumed when they haven’t realised their full potential. “Waiting,” she says, “makes all the difference.” 
She talks about the Maison wines as if they’re her children, with an affection and care that is hard to describe – but makes sense given the personal relationship she has with each and every wine selected. 
The 2023 release focuses on vintages ending in three – including a host of vintages that she feels are under-rated and misunderstood. Starting with the 1983, she notes how the reds were rustic at first – with massive tannins, but the acidity was there, and the best wines have length, subtlety and a sense of completeness that is rare. 
“Everything has been written about 2003,” she tells me of this infamous year. Despite the year being known for its hot conditions – with then unheard-of temperatures and a record-breaking early harvest – she secured lots of the wines, finding that they had “une petite côté de tendresse”, showing a tenderness that was enchanting. The 2003 Savigny-lès-Beaune Les Ratausses that we taste shows this beautifully; Bize-Leroy describes it as “adorable”, which is hard to disagree with – sweet-fruited yet dainty and with a freshness that you wouldn’t expect of this warm year. 
 The 2013 vintage might not have been great for red Burgundy, with wines that were hard to taste in their youth with their tannin levels, but there are some wines “drinking beautifully now” in Bize-Leroy’s view. And this is something that I’ve seen time and again recently, with many bottles from this “off-vintage” really impressing over the last couple of years. 
As for the whites, the 1993 Meursault Perrières unashamedly stole the show. As Bize-Leroy said, it’s “une pure petite merveille” (literally “a pure little marvel”): this incredible Chardonnay kept evolving in the glass, offering such complexity that it is almost impossible to capture in words. Endless facets revealed themselves, with florals, fruit and the nutty tones from its age and a creaminess that drove a long, mouth-watering finish. Returning to the glass after five minutes, there’s a whole new layer that has opened up. It was stunning. 
Comparing a 2018 Auxey-Duresses and 2017 Meursault was a treat – the Auxey-Duresses taking more time to unravel in the glass, its delicacy needing air to emerge, while the tension of the 2017 offered more immediate pleasure. Although Bize-Leroy favours the Auxey, the Meursault won me over – a wine that made me smile with its sheer joy. 
Even for us, it’s rare to get the chance to re-taste these wines, so it was a particular treat to revisit her Bourgogne Blanc Fleurs de Vignes. This magical multi-vintage blend was first released in 2013, with the aim to craft the “ultimate Bourgogne Blanc”, partly due to the low volumes of Bourgogne made in the early 2010s. Combining Premier Cru Puligny-Montrachet (Champ Gain) fruit with village and regional plots from the vintages between 2008 and 2011, it’s an extraordinary wine that is gaining in complexity exponentially.
 Tasting with Bize-Leroy is a special experience. She’s precise in the way she tastes and talks about the wines, each word carefully considered and deliberate –that sense of familial pride shining through as she presents these newborns to the world. Once we’ve tasted, it’s on to lunch – a low-key affair, choucroute, elevated by the rest of the 2017 Meursault, for first and foremost Bize-Leroy crafts wines to be enjoyed at the table – and what wines they are.  
Read more about Maison Leroy and browse all current listings 


With the 2023 releases from Maison Leroy around the corner, Buying + Partner Director Corentin Margier reports on his tasting with the inimitable Lalou Bize-Leroy and how this winemaker has shaped Burgundy today

Tasting the 2023 Maison Leroy collection with Domaine Leroy and D’Auvenay’s winemaker Lalou Bize-Leroy – a woman that has shaped Burgundy today

Talking to Lalou Bize-Leroy

The tastemaker: Lalou Bize-Leroy

La Maison Romane

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*Market price is dynamic and may change. At time of sale a 10% trading fee will be deducted from the final sale price.

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This item is at FINE+RARE, available for storage, transfer or delivery.
 Most UK deliveries can be made within 3-5 working days, with next day delivery for London;
 an exact date will be available when arranging delivery.
 International deliveries have longer lead-times, please contact us for details.

This item is at FINE+RARE HOME Hong Kong, available for delivery or local pickup. Most Hong Kong deliveries can be made within 3 working days, an exact date will be available when arranging delivery. International deliveries have longer lead-times, please contact us for details.

Wines sold en primeur will be released from the producer after bottling, typically 18 months after the so-called campaign ends. Your wine will then be stored by FINE+RARE in a bonded warehouse until you decide to take delivery.

We will source this item from our network of suppliers and arrange shipment to FINE+RARE.
 The lead-time depends on many variables, but 6-12 weeks is an average estimate.
 Once your order is confirmed, we'll keep you updated on its ETA.
 Every item is checked on arrival by our expert team, with photographs available on request (please note that charges may apply).

La Maison Romane

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