1961 Petrus
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Tasting notes
This 1961 Petrus is my third encounter with this legendary wine. This bottle is another that came from English writer Edmund Penning-Rowsell's cellar directly to our dinner host in Hong Kong that evening, so provenance is virtually perfect. That was borne out in a perfect Pomerol. A haunting complexity on the nose is almost impossible to translate into words. It just blossoms with black cherries, cassis, hints of iodine and violets. The 1961 is amazingly refined and delineated, yet at the same time, it is less ostentatious than the 1961 Latour-à-Pomerol. The palate is balanced to perfection. Seville orange marmalade notes tincture the pure mixture of black and blue fruit. It's structured yet crystalline towards the effortless vintage. There is no doubt that this is the apogee of Pomerol [post-script - alongside the 1961 Trotanoy!]. Tasted at the Pomerol 1961 dinner in Hong Kong.
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The 1961 Petrus is a wine that I have been fortunate to taste once before, albeit from bottle rather than the magnum here. What a brilliant wine. It has an astonishing bouquet that as a fellow attendee remarked, could easily be mistaken for a Californian Merlot of similar age. It offers quite precocious scents of mulberry, crushed strawberry and veins of blue fruit, almost Burgundian in style with stunning definition. The palate continues in the same theme: perfectly balanced with rounded tannin, great depth and smoothness, layers of red and black fruit intermingling with black truffle and mint. Maybe there is a little softness towards the finish and perhaps it does not have the persistence of the 1964, but it is an utterly divine Petrus that as banal as it reads, it is simply delicious to drink. Tasted at the Petrus dinner at Hide restaurant in London.
The fabled 1961 Petrus is a wine that I know an awful lot about, but never tasted myself. Indeed, it was researching my Pomerol tome that I came across the almost accidental and fortuitous circumstances that surrounded its birth. As always with bottles such as this, I inspected the bottle meticulously, not just the label but the glass, the capsule, the residue inside the capsule, the cork and finally the wine, notwithstanding enquiries about its provenance and juxtaposing directly with other bottles of Petrus tasted on the same day. And here we had context because it was served against a ex-château 1961 Palmer. Readers should also note that I showed Jean-Claude Berrouet images of the bottle, cork and capsule and he confirmed that to all intents and purposes, this was the real deal. Its color was commensurate with the vintage, deep at the core with think bricking at the rim. The 1961s have a telltale aromatic trait -- a distant seaweed/iodine-like tang that was present both here and in the 1961 Palmer. I did not discern a hedonistic Pomerol after 55 years, however, you could tell it must have been very concentrated in its youth with vestiges of black plum and blackberry. This marine-like scent ebbed away and the aromatics blossomed in a manner that all great Petrus do, the fruit changing slightly towards red in profile, mulberry and cranberry, all with bewitching delineation. The palate has exquisite balance; it is structured and with solid backbone, not foursquare but certainly more serious and less sensual than say, the 1964 Petrus. It has a wonderful, slightly grainy texture and it felt a little savory/cedar-like on the intense, sweet, luxuriant finish, perhaps those handful of Cabernet Franc vines influencing the persistent aftertaste with just a faint tang of bell pepper? It is a formidable Pomerol, even now in what I would describe as its middle age rather than dotage. As banal as it sounds, it was fundamentally a delicious mature Petrus of staggering beauty, a wine that articulates its age and vintage and place it was born with haunting clarity. Tasted September 2016.
About the producer

Ask any wine-lover to name the world’s greatest fine wines, and the answer will invariably include Pétrus.